![]() ![]() and from there, it transitions to Family Affair which isn't a Jay-Z song, I guess Mary Was Plugging her album at the time (No More Drama), she does a good job and takes the crowd "Uptown" according to Jay. First is the best song on the album Can't Knock The Hustle (Which Is My Favorite Jay-Z Song) On This song, everything is perfect, Jay-Z is great, Mary Is Fabulous, The Crowd couldn't be more excited, and the Band plays a Spectacular version that sounds like it was made to be played live. 2 mood, he breaks out his biggest success Hard Knock Life which has wonderful backup singing and keyboards, and out of nowhere comes Ain't No Nigga the crowd goes absolutely, and even though it is only 1 minute, it has enough energy to be considered a standout track.Īfter this, Jay-Z brings someone on stage. which once again does great despite a few missing verses. Then there is a pause, and Jay wonders what song he should do next, and decides to do Heart of The City (Ain't No Love) which is a very underrated song on Blueprint, Jay-Z makes this song better than the album version, and the crowd knows it pretty well for a song that was only out a few months (at the time). Jay then goes into Big Pimpin' which is arguably his biggest hit, it's very short because UGK's verses aren't included, but it is a standout track on the album, the band plays great in this. Jay-Z feels that the crowd isn't as lively as they could be, so he plays Jigga What, Jigga Who tells the left side to say "Jigga What" and the Right side to say "Jigga Who" and Jay-Z gets the crowd really involved in the song, and performs great despite missing Jaz-O's awesome verse, you can tell Jay-Z is having trouble rapping fast, and "Jigga What, Jigga Who" Is his fastest song of his career, but he still makes the most of it. Jay-Z decides to cool of and perform Girls, Girls, Girls which isn't really that great of a song, but Jay and the roots make it likeable, but against the other tracks, it's nothing special. Just a really great performance and after that. Then Jay-Z says that he's going to go through the many moods (Party, Emotional, Reasonable Doubt) but first, he wanted to do a battle song, and what better battle song than Takeover This really is the most brilliant song on the album, not only is it very exciting and hard, but the band switches the song many times when Jay-Z disses Mobb Deep, the band switches the tune to Shook Ones (A Mobb Deep song) then it switches to Oochie Wallie (A Nas Song) then NY State Of Mind. The Album starts out with Jay-Z speaking to the audience, one thing that's so great about this album is how much Jay connects with the crowd he starts out by talking about the different alias names he has, which is a good segue to Izzo (H.O.V.A.) Which is very energetic and sounds much different from the studio version, right away, you realize this is going to be another great moment in Jay-Z's career. An intense and ultimately heartbreaking goodbye from Cobain, the final song of the night ends with Cobain’s soulful scream, bringing Nirvana’s performance to a haunting close and leaving listeners wondering what might have been.In 2001, there was no question, Jay-Z was the best rapper around by miles, it seems he could do no wrong, so Jay-Z decided to do a Live album with the Roots, though there wasn't the doubt surrounding LL Cool J when he became the first rapper to do an unplugged show nearly 10 years previously, but it seemed a little far fetched, especially for a rapper that was used to the best production (Neptunes, Timbaland, Kanye West, Just Blaze) what would he do with a live band and a crowd? well, he'd make the best Live Rap album to date. But it’s the cover of Lead Belly’s “Where Did You Sleep Last Night?” that makes this record worth owning. The Meat Puppets’ Cris and Curt Kirkwood joined Nirvana for renditions of their own songs “Plateau,” “Oh, Me” and “Lake Of Fire,” while the band’s take on David Bowie’s “The Man Who Sold The World” has become more well known than the original. Nirvana originals “All Apologies,” “Dumb” and “Something In The Way” suit the gloomy acoustic setting, but it’s the covers that really convey a sense of intimacy previously not associated with the band. Joined by guitarist Pat Smear and cellist Lori Goldston, the show was remarkably recorded in just one take. Ignoring the blueprint of previous performances, Nirvana ditched the hits (“Come As You Are” is the only radio single played) for deeper album cuts and a collection of interesting covers. ![]() ![]() The first Nirvana release after the shocking death of Kurt Cobain, MTV Unplugged In New York captures another side of the Seattle grunge pioneers that hints at Cobain’s troubled state of mind. ![]()
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